Because the wind is never mistaken

Japanese Title	Because the wind is never mistaken
Artist	マルセル　フォン　サイプ　Marcel Van ZIJP
Year	2027
Size	180×640×80cm
Weight	2,800kg
Document ID	24011
Source	UBE現代日本彫刻展2027 Ube Sculpture Triennale 2027

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Marcel Van ZIJP

Birth	1958
Biography	1992 - Sculpture group on location, continuing movement, Department of Buildings and Roads, The Netherlands. 2006 - Memorial stone for the Dutch painter Johannes Vermeer, interred in the Floor of the Old Church in Delft, The Netherlands. 2008- Rencontres Internationales de Sculpture de Sprimont, International Sculptors symposium, Belgium. 2013 - Design Fishermen's names monument, at the new boulevard at Scheveningen in The Netherlands.The wall contains the names of 1.350 fishermen who died at sea 2010 - Replacing the stolen bronze portrait of L.P. Malland (famous director of Suikerunie) by a portrait in Belgian limestone, The Netherlands. 2018 - Update textsculpture, Land Art Delft, The Netherlands. 2022 - Jewish Kibboets names monument, Franeker, The Netherlands. 2023 - Monumental kinetic sculpture "Windveer ", Land Art Symposium. Land Art Delft, The Netherlands. 2025 - Project kinetic sculpture, art installation "Because the wind is never mistaken" 2026 - Holocaust monument, Soest, The Netherlands. After his training as a graphic artist, Van Zijp arended the Psychopolis Academy of Fine Arts in The Hague. From the mid-eighties Van Zip made the switch to working with stone. From him, he also leared how to cleave blocks of stone. Unlike his friend, who was influenced by the Cobra generation with his spontaneous work, Van Zijp took a different path; he started with a detailed, elaborated plan. In the nineties, the circle was a common motif in his free work. It was a period in which he primarily explored various types of natural stone, as well as the technique of carving. The surface of his sculptures was often finely sanded or polished. Consequently, the work is understated, and a certain influence of sculptors such as Constantin Brancusi and Isamu Nuguchi can be discerned. In addition to his independent work, Van Zijp has also been active as a freelance stone sculptor/letter carver since the early 1990s. In this way, he gained extensive experience in working with natural stone. In 2001 he moved from The Hague to Wouwse Plantage in West Brabant, where he established his own studio and sculpture garden. Besides the works in limestone, Belgian Bluestone and marble, around 2003 he created his first two major works, "Aspidium Filixmas," in marble and granite, which were exhibited that year in a large sculpture park in the central part of the country, and later on he moved one to a park in the North of friesland A new turning point in Van Zijp's work occurred in 2008 when he was asked by conceptual artist Hans van Houwelingen to create an update of the latter's design for the Lorentz Monument in Arhem as part of the Sonsbeek exhibition "Grandeur 2008." For this project, Van Zäjp, together with his assistant, carved 147 names of physicists, who were also Nobel Prize winners, into the limestone wall of the monument. （UBE現代日本彫刻展2027）

Birth

1958

Biography

1992 - Sculpture group on location, continuing movement, Department of Buildings and Roads, The Netherlands. 2006 - Memorial stone for the Dutch painter Johannes Vermeer, interred in the Floor of the Old Church in Delft, The Netherlands. 2008- Rencontres Internationales de Sculpture de Sprimont, International Sculptors symposium, Belgium. 2013 - Design Fishermen's names monument, at the new boulevard at Scheveningen in The Netherlands.The wall contains the names of 1.350 fishermen who died at sea 2010 - Replacing the stolen bronze portrait of L.P. Malland (famous director of Suikerunie) by a portrait in Belgian limestone, The Netherlands. 2018 - Update textsculpture, Land Art Delft, The Netherlands. 2022 - Jewish Kibboets names monument, Franeker, The Netherlands. 2023 - Monumental kinetic sculpture "Windveer ", Land Art Symposium. Land Art Delft, The Netherlands. 2025 - Project kinetic sculpture, art installation "Because the wind is never mistaken" 2026 - Holocaust monument, Soest, The Netherlands. After his training as a graphic artist, Van Zijp arended the Psychopolis Academy of Fine Arts in The Hague. From the mid-eighties Van Zip made the switch to working with stone. From him, he also leared how to cleave blocks of stone. Unlike his friend, who was influenced by the Cobra generation with his spontaneous work, Van Zijp took a different path; he started with a detailed, elaborated plan. In the nineties, the circle was a common motif in his free work. It was a period in which he primarily explored various types of natural stone, as well as the technique of carving. The surface of his sculptures was often finely sanded or polished. Consequently, the work is understated, and a certain influence of sculptors such as Constantin Brancusi and Isamu Nuguchi can be discerned. In addition to his independent work, Van Zijp has also been active as a freelance stone sculptor/letter carver since the early 1990s. In this way, he gained extensive experience in working with natural stone. In 2001 he moved from The Hague to Wouwse Plantage in West Brabant, where he established his own studio and sculpture garden. Besides the works in limestone, Belgian Bluestone and marble, around 2003 he created his first two major works, "Aspidium Filixmas," in marble and granite, which were exhibited that year in a large sculpture park in the central part of the country, and later on he moved one to a park in the North of friesland A new turning point in Van Zijp's work occurred in 2008 when he was asked by conceptual artist Hans van Houwelingen to create an update of the latter's design for the Lorentz Monument in Arhem as part of the Sonsbeek exhibition "Grandeur 2008." For this project, Van Zäjp, together with his assistant, carved 147 names of physicists, who were also Nobel Prize winners, into the limestone wall of the monument. （UBE現代日本彫刻展2027）