群馬の人
| Title | Man of Gunma |
|---|---|
| 作者 | 佐藤 忠良 |
| 作者ヨミ | サトウチュウリョウ |
| Artist | SATO Churyo |
| 生没年/Birth and Death Year | 1912-2011 |
| 制作年/Year | 1952 |
| 寸法/Dimensions（cm） | 29.5×19×24 |
| 材質・形状 | ブロンズ |
| Medium | Bronze |
| 受入年度/Year Acquired | 平成2年度 |
| 収蔵品番号/Collection Number | S 40 |
| 作品解説 | 本作のモデルは、群馬県出身の友人であり詩人の岡本喬でした。しかしながら、本作には、さまざまな人々への思いが重層的に込められています。中学時代、一緒に自炊生活をしてくれた知人や、戦時中に従軍していた軍隊の人が群馬県出身だったため、群馬とは何となく縁があり、こだわりになっていたのだといいます。この頭像を通して表現しようとした、佐藤自身が今まで出会った人々の優しさや力強さ、忍耐強さが、戦後の人々の共感を得て、後に「日本近代彫刻史の上の一つの里程標を打ちこんだ」とも評され、佐藤の代表作となります。 |
| Description | The model for this piece was Sato’s friend, the poet Okamoto Takashi, who was from Gunma Prefecture. However, layers of feelings for many different people are contained within this work. Because an acquaintance with whom he had cooked meals together during junior high school, as well as a soldier who had served alongside him during the war, were from Gunma Prefecture, Sato felt a certain connection to Gunma, and it became a fixation of his. The kindness, strength, and perseverance of the people Sato had encountered throughout his life, which he sought to express through this bust, resonated with people after the war, and was later described as having “marked a milestone in modern Japanese sculpture”. It became one of Sato’s masterpieces. |
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