photo: SAIKI Taku
21c. Erotical Flying Machines− A Trip to the Galaxy （Original Drawing）
| Artist | KISHIMOTO Sayako |
|---|---|
| Year | 1983 |
| Material/ Technique | pastel, pen, color pencil on paper |
| Size/ Duration | ①Front Cover: H15.4 × W21cm, Inside Pages: H16 × W21cm (22 pages), Back Cover: H15.4 × W21cm ②Front Cover: H16 × W21cm, Inside Pages: H16 × W21cm (18 pages), Back Cover: H16 × W21cm |
| Copyright Notice | © IIDA Yoshiko |
| Year of acquisition/ donation | 2006（寄付採納年月日：2006/03/06） |
| Description | Born in Aichi, Japan in 1939. Died there in 1988. Kishimoto Sayako was involved in the movement of “Neo Dadaism Organizers” which was formed in Tokyo in the 1960s, and worked actively presenting performance and painting until she died in 1988. Her diverse works were always based on severe criticism on the social framework consisting of male-driven culture, power-oriented culture and phallic society. In the 1980s in particular, through aggressive activities in giving performances and showing dynamic paintings, she deepened her social criticism further raising questions about the way the individual should be and selfexpression. Kishimoto viewed society over the past 2000 years as pyramidal in structure and marked by the ‘dominance of male culture’ and a ‘culture of might-isright.’ She believed that in such a society people were forced to compete to get to the top, with the weak kicked down to the bottom. In contrast to this, Kishimoto’s ideal society had an inverted triangle structure in which people competed to get to the bottom, with Kishimoto herself positioned at the base as a ‘messenger from hell’ shouldering the responsibilities of others. Based on this view, Kishimoto produced a variety of pieces in the 1980s. In "21c. Erotical Flying Machines – A trip to the Galaxy", Kishimoto turns into an incarnation of the ‘messenger from hell’ in the form of a pink grasshopper and is shown overcoming various difficulties in her search for a utopia for the weak. "White Mountain Gorilla" depicts a captured gorilla as a symbol of freedom and love being set free. Based on the viewpoint that primitive society prior to the emergence of patriarchal society and phallic society was in fact the ideal world, "The Civilization of Monsters" expresses a vivid, primordial vitality. |
NOTES
This Collection Data page contains the works and materials in the collection of 21st Century Museum of Contemporary Art, Kanazawa, as of April 1, 2018.
Artists are listed alphabetically by artist’s surname.
Works and materials by the same artists are listed according to the date of the work in principle.
Works whose dates are unidentified are listed at the end of each item. Some works are not listed according to the date of work due to their relations.
The data of works and materials are listed in order of title, production year, material/technique/form, dimensions, donor’s name, copyright holder and credit for photograph.
Dimensions are given by height (H) x width (W) in centimeters for plane work, and height (H) x width (W) x depth (D) in cm for 3-D work. Diameter (Ø) is used for circular work.
For the name of country or city, the name currently used in English is listed in principle.