photo: SAIKI Taku

Rosa hybrida Hort, Oxalis corniculata, Coniogramme intermedia Heron, Liriope minor, Conandron ramondioides, Hybisecus Syriacus, Calystegia japonica, Oenothera tetraptera, Hedera helix

ArtistHASHIMOTO Masaya
Year2010
Material/ Techniquedeer antler, deer bone
Size/ DurationH50 × W44 × D31cm
Copyright Notice© HASHIMOTO Masaya
Year of acquisition/ donation2014
DescriptionBorn in Gifu, Japan in 1978. Lives and works in Kanagawa.

Hashimoto Masaya picked up a piece of driftwood while traveling in India in 2000 and was inspired to use it to begin making hairpins and other accessories. He continued traveling around the world in search of new materials. After returning to Japan, he based his activities in Kanagawa prefecture and created beautiful objects with original techniques and materials such as wood, minerals, horn, and animal bones. His solo exhibitions include “Bouef” (Silke and The Gallery, Belgium, 2009), “Seed with no Shell” (London Gallery, 2012), “Hashimoto Masaya: Awai naru mono” (21st Century Museum of Contemporary Art, Kanazawa, 2014).

Hashimoto experienced the death of a deer while accompanying a hunter, and he used its horns and bones, materials associated with the animal’s life and death, to carve delicate white flowers that embody a sense of life. Confronting life and death and creating new life with materials that emerge from these realities are integral parts of the artist’s own life. This work portrays flowers that grow in different seasons, including Rosa hybrid Hort, Hybiscus Syriacus, Oxalis corniculata, and Conandron ramondioides. It expresses the artist’s respect for the delicate but resilient and enduring life of flowers that bloom, fall, die, and bloom again.

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