photo: SAIKI Taku
Box, ”Harvest,” maki-e
| Artist | NAKANO Koichi |
|---|---|
| Year | 1999 |
| Material/ Technique | Japanese lacquer, wood, gold, egg shell, platinum |
| Size/ Duration | H15.7 × W27.5 × D16.8cm |
| Copyright Notice | © NAKANO Koichi |
| Year of acquisition/ donation | 2001（作品購入年月日：2001/03/30） |
| Description | Born in Ishikawa, Japan in 1947. Lives and works there. After graduating in 1967 from the Commercial Design Department at the Tokyo Design Institute, Nakano entered the world of ‘maki-e,’ having previously assisted his uncle with his work as a maki-e craftsman. In 1969 he began an apprenticeship with OBA Shogyo. Working from the initial lacquer coat, he creates designs featuring tame squirrels and rabbits, for example, using small animals and flora as his subject matter to give expression to Japan’s unique natural environment. By combining traditional maki-e techniques with a contemporary and innovative design sense, Nakano has succeeded in raising Japanese lacquer art to a new level. A lively design featuring autumn plants and bounding rabbits against a muted background of white lacquer that takes full advantage of the shape of the cube. In "Box, “Harvest,” maki-e", attention has been paid to the finest details including the veins and wormholes in the leaves and the luster of the rabbit fur, all of which are depicted using vigorous brush strokes. For the maki-e powder Nakano chose colored platinum powder, the decoration on the surface of the lid in particular testifying to Nakano’s inimitable sense of color. Black has been used extensively on the sides of the box where rabbits frolicking on a moonlit night are depicted using gold lacquer in a scene in which realism and fantasy coexist. The composition in which movement and stillness, and lightness and darkness are contrasted gives rise to an original maki-e world. |
NOTES
This Collection Data page contains the works and materials in the collection of 21st Century Museum of Contemporary Art, Kanazawa, as of April 1, 2018.
Artists are listed alphabetically by artist’s surname.
Works and materials by the same artists are listed according to the date of the work in principle.
Works whose dates are unidentified are listed at the end of each item. Some works are not listed according to the date of work due to their relations.
The data of works and materials are listed in order of title, production year, material/technique/form, dimensions, donor’s name, copyright holder and credit for photograph.
Dimensions are given by height (H) x width (W) in centimeters for plane work, and height (H) x width (W) x depth (D) in cm for 3-D work. Diameter (Ø) is used for circular work.
For the name of country or city, the name currently used in English is listed in principle.