The Crust of the Earth - Latent Form 1

Title	The Crust of the Earth - Latent Form 1
Artist	岡本敦生　OKAMOTO Atsuo／野田裕示　NODA Hiroji
Date	1996
Dimensions	83.0×200.0×54.0
Classification	Sculptures
Accession Number	JS199700001001
Summary	The Crust of the Earth — Latent Form are collaborated works in which Noda has drawn his sinuous lines and geometric designs on the smooth surfaces of Okamoto's sculpture. It is extremely rare to find a sculptor and painter creating a collaborated work, but it comes after Noda's experiments with the support media for his paintings and his long-standing desire to paint his works on the earth itself. Noda was the one who conceived of the idea of using a sculpture as his ground material and even though there are differences between painting and sculpture, he conveyed this idea to Okamoto, a contemporary who had also experimented with escaping from Minimalism. Okamoto then came up with some forms that would suit the experiment and they began making joint works. This work is a result of the collaboration, and without losing the distinctive qualities of the two different artists, it creates a highly finished work that fuses painting with sculpture, in some ways like that of a cave wall painting.

related works

The Crust of the Earth - Latent Form 1/The Crust of the Earth - Latent Form 2/The Crust of the Earth - Latent Form 6/The Crust of the Earth - Latent Form 11

Artist：岡本敦生　OKAMOTO Atsuo／野田裕示　NODA Hiroji
Date：1996/1997
Medium：acrylic on granite
Classification：Sculptures
Collections：
Accession Number：JS199700001000
The Crust of the Earth - Latent Form 2

Artist：岡本敦生　OKAMOTO Atsuo／野田裕示　NODA Hiroji
Date：1996
Medium：
Classification：Sculptures
Collections：
Accession Number：JS199700001002
The Crust of the Earth - Latent Form 11

Artist：岡本敦生　OKAMOTO Atsuo／野田裕示　NODA Hiroji
Date：1997
Medium：
Classification：Sculptures
Collections：
Accession Number：JS199700001004

1．Public domain images on the Aichi Prefectural Museum of Art collection search

　Digital images labeled as "Public Domain" or "CC0" on the Aichi Prefectural Museum of Art collection search service may be freely downloaded, reproduced, and redistributed without permission from the museum. This includes all uses for profit or not-for-profit, including posting in publications or online, projecting during lectures and the like, broadcasting during television programs, or printing on commercial items. Please note, however, the museum’s following four requests pertaining to the use of images in the public domain.

1. Indicate the owner of the collection
Please indicate the Aichi Prefectural Museum of Art as the owner of the collection. For pieces that are part of the Kimura Teizo Collection, credit “Aichi Prefectural Museum of Art (Kimura Teizo Collection)”, and for pieces from the Fujii Tatsukichi Collection, credit “Aichi Prefectural Museum of Art (Fujii Tatsukichi Collection)”.

2. Indicate any cropping or modifications
If you used a cropped version of the image, indicate that it is partial image. If you make any other modifications, please indicate that as well.

3. Get permission from third-party copyright holders
Even images that are marked as "Public Domain" or "CC0" may be copyrighted by a third party or subject to other rights. It is your sole responsibility as the user of these images to secure permission from any copyright holders. The museum will bear no responsibility for any violations resulting from image user actions.

4. Use of high-resolution images
If you would like to use high-resolution images then please contact Image usage representative.

2．Request non–public domain images

　Those who wish to use the types of images listed in (1)–(2) below must fill out a Image Usage Request after reviewing the Guidelines on the Use of Images and send it via email to our image usage representative (contact information provided below. For further information, please see "Image licensing").

(1). Images NOT labeled as "Public Domain" or "CC0" on the Aichi Prefectural Museum of Art collection search
*This includes images that are within the term of copyright protection and for which permission to transmit to the public has been obtained from the copyright owner, as well as images within the extent considered to be necessary (32,400 pixels or less) in the Article 47 of the Copyright Act.

(2). Images not publicly available via the Aichi Prefectural Museum of Art collection search

3．Request regarding deliverables

　We ask that you provide the museum with a copy of any deliverables (e.g. printed materials) created using images from our collection so that we can keep them for reference. Please send them to our image usage representative (contact information provided below).

Image usage representative, Aichi Prefectural Museum of Art
1-13-2 Higashisakura, Higashi-ku, Nagoya, Aichi
461-8525
apma-webmaster@aac.pref.aichi.jp

PageTop

OKAMOTO Atsuo

Native place	Hiroshima, JPN
Birth	1951
Biography	Okamoto was born in Hiroshima prefecture. Received his Masters degree in sculpture from Tama Art University in 1976. He quickly began participating in sculpture symposia held both in Japan and overseas, and also continued working on displaying sculptures in outdoor sculpture exhibitions. In 1989 received the Asakura Fumio Prize, and in 1996 received the Nakahara Teijiro Prize. Today he is recognized world-wide as one of Japan's major sculptors in stone. During the first half of the 1980s he created hollows in stone blocks, and then used lights to shine into the interior through narrow gaps in the surface of the stone. These tricky sculptures then were replaced in the latter half of the 1980s by roughly planed granite broken into small fragments which were then reconstructed the fragments so that the interior was hollow in a series entitled Memory Cubage. These richly imaginative works broke new ground in the realm of stone sculpture.

NODA Hiroji

Native place	Wakayama, JPN
Birth	1952
Biography	Noda was born in Wakayama prefecture. Graduated from the oil painting course, department of painting of Tama Art University in 1976. The realms of Minimalism and Conceptual Art dominated the art world when he debuted as a painter during the 1970s, a time when painting was a particularly fraught medium. He realized that he could not avoid the process of reconsidering the potentials to be found in painting. He investigated what actually was established by a painting, and set himself the task of exploring these questions through the 1970s through 1980s. His group of relief sculptures which placed colored paper, wood, cloth and other elements inside a box-like wooden frame, his series of works in which support media with protrusions and depressions were wrapped in canvas and then painted, and the series of works in which folded pieces of canvas were arranged in geometric images on a piece of stretched canvas were the results of these experiments. These and other experiments took Noda into the 1990s when he took the results of these experiments and from them created paintings with beautiful colors and richly powerful images. Noda stands as one of the major two dimensional artists of today.